Abstract
An introduction to a three-concert series: The existence and place of music in the Nazi concentration camps did not begin to be recognised as a historical reality until the 1980s. The relationship between the arts and the particular context in which they were practiced was - and continues to be - painful and seems to exceed the limits of understanding.
Translated title of the contribution | Terezín: composing under terror |
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Original language | Spanish |
Pages | 7-17 |
Number of pages | 11 |
Specialist publication | Ciclo de Miercoles |
Publisher | Fundacion Juan March |
Publication status | Published - 24 Feb 2021 |