Abstract
An introduction to a three-concert series: The existence and place of music in the Nazi concentration camps did not begin to be recognised as a historical reality until the 1980s. The relationship between the arts and the particular context in which they were practiced was - and continues to be - painful and seems to exceed the limits of understanding.
| Translated title of the contribution | Terezín: composing under terror |
|---|---|
| Original language | Spanish |
| Pages | 7-17 |
| Number of pages | 11 |
| Specialist publication | Ciclo de Miercoles |
| Publisher | Fundacion Juan March |
| Publication status | Published - 24 Feb 2021 |