Terezín: componer bajo el terror

Translated title of the contribution: Terezín: composing under terror

Research output: Contribution to specialist publicationEditorial

Abstract

An introduction to a three-concert series: The existence and place of music in the Nazi concentration camps did not begin to be recognised as a historical reality until the 1980s. The relationship between the arts and the particular context in which they were practiced was - and continues to be - painful and seems to exceed the limits of understanding.
Translated title of the contributionTerezín: composing under terror
Original languageSpanish
Pages7-17
Number of pages11
Specialist publicationCiclo de Miercoles
PublisherFundacion Juan March
Publication statusPublished - 24 Feb 2021

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