Abstract
This article explores the often-overlooked role of professional songwriters in popular music, who occupy the spectrum between craftspeople and artists. Drawing on seventeen episodes of the Sodajerker podcast featuring songwriters who write for and with popular artists, we outline the role of professional songwriters in the popular music industry and how collaboration between songwriters and artists shapes and refines songs. On this basis, we propose a five-tiered spectrum of artist-songwriter involvement, ranging from independent songwriting by professionals without a specific artist brief to scenarios where artists are mostly self-sufficient but receive musical or psychological support from co-writers as needed.
| Original language | English |
|---|---|
| Pages (from-to) | 1-24 |
| Number of pages | 24 |
| Journal | Popular Music and Society |
| Volume | 48 |
| Issue number | 1 |
| Early online date | 23 Nov 2024 |
| DOIs | |
| Publication status | Published - 1 Jan 2025 |
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Dive into the research topics of 'The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement'. Together they form a unique fingerprint.-
Preface: Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice
Ahlers, M., Herbst, J. & Holtsträter, K., 5 May 2025, Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice. Ahlers, M., Herbst, J.-P. & Holtsträter, K. (eds.). M ed. Münster: Waxmann Verlag GMBH, Vol. 69. p. 9-12 4 p. (Yearbook 'Lied und Populäre Kultur / Song and Popular Culture' of the Centre for Popular Culture and Music).Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Song and Popular Culture: Popular Music Songwriting as Cultural, Creative, and Economic Practice
Ahlers, M. (Editor), Herbst, J. (Editor) & Holtsträter, K. (Editor), 5 May 2025, Münster: Waxmann Verlag GMBH. 304 p. (Yearbook 'Lied und Populäre Kultur / Song and Popular Culture' of the Centre for Popular Culture and Music; vol. 69)Research output: Book/Report › Book › peer-review
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Songwriting-Camps: Kollaborative Songwriting-Praxis zwischen Songwriting-Tradition und musikindustrieller Transformation
Wernicke, C., Zaddach, W.-G., Ahlers, M. & Herbst, J., 1 Jan 2025, Musik in der spätmodernen Gesellschaft: Analysen, Positionen, Perspektiven. Pfleiderer, M., Just, S., Wernicke, C. & Jost, C. (eds.). Waxmann Verlag GMBH, Vol. 43. p. 197-218 22 p. (Popular Culture and Music; vol. 43).Translated title of the contribution :Songwriting camps: Collaborative songwriting practice between songwriting tradition and music industry transformation Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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Songwriting Camps: Geschichte, Theorien und Forschungsansätze zur Fließband-Produktion von populärer Musik
Ahlers, M. & Herbst, J., 16 Aug 2024, Parallelgesellschaften: Effekte struktureller Mehrgleisigkeit auf populäre Musik, ihre Erforschung und Vermittlung. von Appen, R., Chaker, S., Huber, M. & Prieske, S. (eds.). Transcript, p. 315-342 28 p.Translated title of the contribution :Songwriting Camps: History, theories and research approaches to the assembly line production of popular music Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age
Herbst, J., Ahlers, M. & Barber, S., 29 Jun 2024, (E-pub ahead of print) In: Creative Industries Journal. 22 p.Research output: Contribution to journal › Article › peer-review
Open Access4 Link opens in a new tab Citations (Scopus)
Projects
- 1 Finished
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SC21: Songwriting Camps in the 21st Century
Herbst, J. (PI), Ahlers, M. (CoI), Barber, S. (CoI) & Williams, K. (CoI)
1/02/23 → 31/01/26
Project: Research
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