TY - JOUR
T1 - The Big Rainbow Knit
T2 - Revisiting Craftivist Practices through Place-Based Making
AU - Bailey, Rowan
AU - Walton, Natalie
N1 - Funding Information:
These insights serve as useful prompts for thinking about what WOVEN in Kirklees is as a council funded initiative. The inception of the textile festival began in 2019, when HATCH (arts engagement curators Natalie Walton and Alison McIntyre) came on board to work on the development of WOVEN as a place-based priority for cultural development. As Directors of the festival, they were keen to draw on the expertise of communities to help shape the festival themes, and through working groups, actively level out hierarchies in festival making. WOVEN has some very specific aims including cultural ambitions for the Kirklees region with intentions to: celebrate the community, culture and creativity of the district, tell the story of place and how textiles shapes the world around us and work with industry and innovation to take textiles forward into a more sustainable future. The university, specifically its staff and students, have contributed to collaborative engagements with the festival itself, but also in presenting research and innovation in the form of conferences, talks and showcases about the science and cultural heritage of fashion and textiles. For example, as part of the lead up to the festival in 2021, the Center for Technical Textiles and the Center for Cultural Ecologies in Art, Design and Architecture at the University of Huddersfield hosted an online two day conference called “WOVEN in Practice.” The event featured a range of talks and panels on key themes including: places, clothing and shopping, sustaining a creative practice in Covid-19, innovative textiles, ecological and environmental approaches, manufacturing and pattern cutting. Speakers were representative of the stakeholders involved in WOVEN; academics, students, artist and community practitioners and industry experts. The festival’s aims to generate participatory development and engagement through different projects led to a 4-week programme of events and activities across Kirklees in 2021. There were 88 physical events across the region, 9 virtual events, 35 commissions and a range of digital content in the form of instructional videos, tutorials and teaching resources. These online materials were partly generated in response to national lockdowns, but are also linked to raising visibility and awareness of the festival’s many projects and outcomes. In particular, its engagement with school teachers of textiles to build resources for use in the curriculum and in raising awareness of the creative career opportunities for young people pursuing textiles as a profession has served to expand the field of engagement in educational settings. For example, “Weaving Together a Story of Place” is a two-year Paul Hamlyn Foundation funded action research programme, delivered through the Teacher Development Fund (TDF) which aims to support the delivery of arts-based teaching in the primary classroom. Kirklees is one of five local authorities across the UK that have received funding for five schools. Five textile artists have been involved in delivering textiles into the school curriculum and bridging links between these schools, WOVEN and the university (Woven ). This is part of the long term legacy building of the festival. Another use of the WOVEN platform is the “Made in Kirklees” online showcase which presents a range of textile manufactuers, retailers, artists, designers and makers in Kirklees, selling locally and online, nationally and internationally (Woven ). These are important registrations of the different users and producers of the festival, including what the festival is attempting to achieve as part of long term actions with social impacts and benefits.
Publisher Copyright:
© 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
PY - 2022/9/15
Y1 - 2022/9/15
N2 - The Big Rainbow Knit is a project informed and influenced by craftivist practices and culminated in the yarn bombing of Huddersfield train station by local, national and international communities of knitters in June 2021. As a landmark project within the WOVEN in Kirklees bi-annual festival, it became an important force for social cohesion in a Covid-19 context. This article introduces The Big Rainbow Knit as a specific case study within the wider context of Kirklees Council’s approach to place-based making.
1 As a textile festival WOVEN in Kirklees is made with, by and for local communities. We firstly address place-based making approaches in the contexts of craftivism and community practice with the aim of secondly, considering how The Big Rainbow Knit is a manifestation of co-creative participation in the spirit of social cohesion. Thirdly, we consider how the concept of the “glocal” is a means through which to reflect on the links between online and offline platforms. We argue that the hybrid between near and far in a “glocal” milieu allows for a range of voices (active knitters, audiences as recipients of yarn bombing activities and community group engagements with The Big Rainbow Knit) to become more visible as key agents in a place-based process. Collectively, these voices, gathered through a range of feedback mechanisms, have helped to change perceptions and attitudes toward knitting in a local authority context and to offer new insights into the ways in which the making-agency of knit can acquire value through place-based cultural development.
AB - The Big Rainbow Knit is a project informed and influenced by craftivist practices and culminated in the yarn bombing of Huddersfield train station by local, national and international communities of knitters in June 2021. As a landmark project within the WOVEN in Kirklees bi-annual festival, it became an important force for social cohesion in a Covid-19 context. This article introduces The Big Rainbow Knit as a specific case study within the wider context of Kirklees Council’s approach to place-based making.
1 As a textile festival WOVEN in Kirklees is made with, by and for local communities. We firstly address place-based making approaches in the contexts of craftivism and community practice with the aim of secondly, considering how The Big Rainbow Knit is a manifestation of co-creative participation in the spirit of social cohesion. Thirdly, we consider how the concept of the “glocal” is a means through which to reflect on the links between online and offline platforms. We argue that the hybrid between near and far in a “glocal” milieu allows for a range of voices (active knitters, audiences as recipients of yarn bombing activities and community group engagements with The Big Rainbow Knit) to become more visible as key agents in a place-based process. Collectively, these voices, gathered through a range of feedback mechanisms, have helped to change perceptions and attitudes toward knitting in a local authority context and to offer new insights into the ways in which the making-agency of knit can acquire value through place-based cultural development.
KW - place-based making
KW - knit
KW - engaged creativity
KW - textile festivals
KW - cultural development
UR - http://www.scopus.com/inward/record.url?scp=85138247899&partnerID=8YFLogxK
U2 - 10.1080/14759756.2022.2102731
DO - 10.1080/14759756.2022.2102731
M3 - Article
JO - Textile: The Journal of Cloth and Culture
JF - Textile: The Journal of Cloth and Culture
SN - 1475-9756
ER -