Abstract
| Original language | English |
|---|---|
| Title of host publication | ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012 |
| Publisher | International Computer Music Association |
| Pages | 23 |
| Number of pages | 29 |
| ISBN (Print) | 978-098452741-0 |
| Publication status | Published - 2012 |
| Event | 38th International Computer Music Conference - Ljubljana, Slovenia Duration: 9 Sep 2012 → 14 Sep 2012 Conference number: 38 |
Conference
| Conference | 38th International Computer Music Conference |
|---|---|
| Abbreviated title | ICMC 2012 |
| Country | Slovenia |
| City | Ljubljana |
| Period | 9/09/12 → 14/09/12 |
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The electronic music of Roberto Gerhard. / Adkins, Mathew; Karman, Gregorio Garcia.
ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012. International Computer Music Association, 2012. p. 23.Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
TY - GEN
T1 - The electronic music of Roberto Gerhard
AU - Adkins, Mathew
AU - Karman, Gregorio Garcia
PY - 2012
Y1 - 2012
N2 - Roberto Gerhard was a pioneer of electronic music in England creating over twenty substantial concert, theatre and radio works from as early as 1954. However, for various political, cultural and personal reasons Gerhard's electronic music has not been published or widely disseminated. Gerhard's electronic music is one of the richest repositories for understanding the development of the composer's late compositional technique as well as the early development of electronic music in the UK. As a result of an AHRC study of the tapes held in the Gerhard Archive at the Cambridge University Library it is possible to understand the composer's technique and thoughts on electronic music and how they evolved as his work with magnetic tape became more and more refined.
AB - Roberto Gerhard was a pioneer of electronic music in England creating over twenty substantial concert, theatre and radio works from as early as 1954. However, for various political, cultural and personal reasons Gerhard's electronic music has not been published or widely disseminated. Gerhard's electronic music is one of the richest repositories for understanding the development of the composer's late compositional technique as well as the early development of electronic music in the UK. As a result of an AHRC study of the tapes held in the Gerhard Archive at the Cambridge University Library it is possible to understand the composer's technique and thoughts on electronic music and how they evolved as his work with magnetic tape became more and more refined.
UR - https://www.scopus.com/record/display.uri?eid=2-s2.0-84906238525&origin=resultslist&sort=plf-f&src=s&sid=4AC2CF5A066FEEEFFF00E19939B0C583.wsnAw8kcdt7IPYLO0V48gA%3a130&sot=autdocs&sdt=autdocs&sl=18&s=AU-ID%2855519936100%29&relpos=10&citeCnt=0&searchTerm=
M3 - Conference contribution
SN - 978-098452741-0
SP - 23
BT - ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012
PB - International Computer Music Association
ER -