Abstract
Roberto Gerhard was a pioneer of electronic music in England creating over twenty substantial concert, theatre and radio works from as early as 1954. However, for various political, cultural and personal reasons Gerhard's electronic music has not been published or widely disseminated. Gerhard's electronic music is one of the richest repositories for understanding the development of the composer's late compositional technique as well as the early development of electronic music in the UK. As a result of an AHRC study of the tapes held in the Gerhard Archive at the Cambridge University Library it is possible to understand the composer's technique and thoughts on electronic music and how they evolved as his work with magnetic tape became more and more refined.
| Original language | English |
|---|---|
| Title of host publication | ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012 |
| Publisher | International Computer Music Association |
| Pages | 23 |
| Number of pages | 29 |
| ISBN (Print) | 978-098452741-0 |
| Publication status | Published - 2012 |
| Event | 38th International Computer Music Conference - Ljubljana, Slovenia Duration: 9 Sep 2012 → 14 Sep 2012 Conference number: 38 |
Conference
| Conference | 38th International Computer Music Conference |
|---|---|
| Abbreviated title | ICMC 2012 |
| Country | Slovenia |
| City | Ljubljana |
| Period | 9/09/12 → 14/09/12 |
Fingerprint Dive into the research topics of 'The electronic music of Roberto Gerhard'. Together they form a unique fingerprint.
Cite this
Adkins, M., & Karman, G. G. (2012). The electronic music of Roberto Gerhard. In ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012 (pp. 23). International Computer Music Association.