The Music of Laurence Crane and a Post-Experimental Performance Practice

Research output: Contribution to journalArticle

Abstract

Laurence Crane's music is often described as experimental or considered as a continuation of the English experimental tradition. In this first extended examination of Crane's music it is proposed that, instead of relying upon associations and aesthetic alignments, the music might be considered as experimental through a particularly experimental approach to performance. After a brief overview of Crane's output his position as a composer is considered within the context of the experimental music tradition. This tradition is then considered in relation to performance practice, both historical and contemporary. A selection of Crane's music is examined in the light of that practice, whilst aspects of the composer's approaches to tonality, instrumentation, form and notation are also highlighted.

LanguageEnglish
Pages5-21
Number of pages17
JournalTempo
Volume70
Issue number275
DOIs
Publication statusPublished - 7 Dec 2015

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Music
Performance Practice
Composer
Continuation
Notation
Alignment
Tonality
Instrumentation
Aesthetics
Experimental music

Cite this

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The Music of Laurence Crane and a Post-Experimental Performance Practice. / Thomas, Philip.

In: Tempo, Vol. 70, No. 275, 07.12.2015, p. 5-21.

Research output: Contribution to journalArticle

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