Abstract
Two experiments have been conducted to investigate the perceptual effect of band-limited interchannel decorrelation between vertically oriented loudspeakers. The perceived vertical image spread (VIS) and tonal quality (TQ) of phantom auditory images have been subjectively assessed in multiple comparison trials. The aim of the article was to find a lower decorrelation boundary that provides a significant increase of VIS, whilst maintaining TQ close to that of the original source. For test stimuli, decorrelation was applied to natural sound sources and pink noise in groups of octave-bands, where the lowest band was varied between 63 Hz and 8 kHz and the upper band was fixed at 16 kHz, resulting in eight decorrelated conditions for each source. Unprocessed octave-bands below the lower boundary were reproduced simultaneously through the lower main-layer loudspeaker only, and a monophonic main-layer only condition was also included in the comparison alongside the decorrelated stimuli. Results reveal that vertical decorrelation of the 500 Hz octave-band and above tends to significantly increase VIS, similar to that of broadband decorrelation, with little impact on TQ. In some cases, decorrelation of higher octave-bands and above can also produce similar increases of VIS with less impact on TQ, however, this is shown to be largely source-dependent. These results suggest that vertical decorrelation of lower frequencies has little perceptual benefit, and band-limiting vertical decorrelation to higher frequencies is likely to reduce low frequency phase cancellation. Applications of such an approach include 2D-to-3D upmixing and binaural audio rendering, with additional implications for 3D audio recording.
Original language | English |
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Article number | 8974616 |
Pages (from-to) | 876-888 |
Number of pages | 13 |
Journal | IEEE/ACM Transactions on Audio Speech and Language Processing |
Volume | 28 |
Early online date | 29 Jan 2020 |
DOIs | |
Publication status | Published - 29 Jan 2020 |
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Hyunkook Lee
- Department of Computer Science - Professor
- School of Computing and Engineering
- Centre for Research in New Music - Member
- Centre for Audio and Psychoacoustic Engineering - Director
Person: Academic