The performance of polyphony in early 16th-century Italian convents

Research output: Contribution to journalArticle

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Abstract

This article explores evidence for polyphonic music in Italian convents during the first half of the 16th century. It presents a summary of documentary evidence relating to conventual music in the pre-Tridentine era, alongside practical evidence from contemporary treatises regarding methods by which convent choirs could develop a polyphonic repertory from existing music. It revisits claims for mandatory downwards transposition of music written in high clefs, and considers two manuscripts - Verona, Biblioteca Capitolare, Ms.761 and Brussels Bibliothèque du Conservatoire Royal de Musique, Ms.27766 - in the light of this investigation. The article aims to open up a conversation regarding the status of convent polyphony in the early 16th century, shedding new light on its importance and advocating a fresh approach to the possibility of female performance for the Franco-Flemish repertory of the great papal and ducal chapels.

LanguageEnglish
Pages195-215
Number of pages21
JournalEarly Music
Volume45
Issue number2
Early online date12 Jul 2017
DOIs
Publication statusPublished - 31 Oct 2017
Externally publishedYes

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Music
Convents
Polyphony
Repertory
Polyphonic
Verona
Bruxelles
Chapel
Transposition
Manuscripts
Treatise
Summary
Documentary Evidence

Cite this

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The performance of polyphony in early 16th-century Italian convents. / Stras, Laurie.

In: Early Music, Vol. 45, No. 2, 31.10.2017, p. 195-215.

Research output: Contribution to journalArticle

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