The Pleats of Matter

Aaron Cassidy (Composer)

Research output: Non-textual formComposition

Abstract

The Pleats of Matter (2005-2007), which takes its title from the first chapter of Deleuze's The Fold (an investigation of the Baroque, Leibniz, and the monad), is a work that explores the nature of folds, bends, and pleats, and their concomitant implications of surplus, enveloping, collapsing, and obfuscation. It is a work in which overflowing trajectories of material and process collide, overlap, collapse, and slide, where strata melt and rupture and deform, and where form and shape are only the final byproduct of lines folding into one another, of shapes subsumed by other shapes, of forms twisted within other forms.
Original languageEnglish
Publication statusPublished - 1 Jun 2007

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Fold
Rupture
Monads
Surplus
Trajectory
Baroque
Gottfried Wilhelm Leibniz
Gilles Deleuze
Overlap
Folding
By-products

Cite this

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title = "The Pleats of Matter",
abstract = "The Pleats of Matter (2005-2007), which takes its title from the first chapter of Deleuze's The Fold (an investigation of the Baroque, Leibniz, and the monad), is a work that explores the nature of folds, bends, and pleats, and their concomitant implications of surplus, enveloping, collapsing, and obfuscation. It is a work in which overflowing trajectories of material and process collide, overlap, collapse, and slide, where strata melt and rupture and deform, and where form and shape are only the final byproduct of lines folding into one another, of shapes subsumed by other shapes, of forms twisted within other forms.",
author = "Aaron Cassidy",
year = "2007",
month = "6",
day = "1",
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}

Cassidy, A, The Pleats of Matter, 2007, Composition.
The Pleats of Matter. Cassidy, Aaron (Composer). 2007.

Research output: Non-textual formComposition

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AB - The Pleats of Matter (2005-2007), which takes its title from the first chapter of Deleuze's The Fold (an investigation of the Baroque, Leibniz, and the monad), is a work that explores the nature of folds, bends, and pleats, and their concomitant implications of surplus, enveloping, collapsing, and obfuscation. It is a work in which overflowing trajectories of material and process collide, overlap, collapse, and slide, where strata melt and rupture and deform, and where form and shape are only the final byproduct of lines folding into one another, of shapes subsumed by other shapes, of forms twisted within other forms.

UR - http://aaroncassidy.com/music/pleats.htm

UR - https://www.youtube.com/watch?v=1fpLw4cHuvw

M3 - Composition

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