@article{f2ea5de608ef45ed84b4566e34b2bfca,
title = "{\textquoteleft}The rumble of continuing life{\textquoteright}: Kozintsev{\textquoteright}s Hamlet and its distorted reception",
abstract = "This article challenges central tenets of the Western reception of Grigori Kozintsev{\textquoteright}s 1964 screen adaptation of Hamlet. Adding new information derived from published and unpublished archival materials and insights from the film director{\textquoteright}s son, it argues that Kozintsev{\textquoteright}s intentions were more universal than contemporary political. It serves as a call for caution and for the reconsideration of certain articles of received wisdom, in particular with respect to the film{\textquoteright}s supposedly anti-Stalinist language.",
keywords = "Hamlet, Shakespeare and cinema, Russian cinema, Grigori Kozintsev, Dmitri Shostakovich, Soviet culture",
author = "Michelle Assay",
note = "Funding Information: The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: Part of the research that has enabled the author to publish the current article was generously supported by the Leverhulme Trust as part of the author{\textquoteright}s Leverhulme Early Career Fellowship at the University of Huddersfield. Publisher Copyright: {\textcopyright} The Author(s) 2021. Copyright: Copyright 2021 Elsevier B.V., All rights reserved.",
year = "2021",
month = apr,
day = "1",
doi = "10.1177/0184767820981095",
language = "English",
volume = "104",
pages = "3--22",
journal = "Cahiers Elisabethains",
issn = "0184-7678",
publisher = "Institut de Recherches sur la Renaissance, l'Age Classique et les Lumieres",
number = "1",
}