Abstract
These seven pieces are composed primarily for piano and percussion, accompanied by musical saw, theremin, synthesizers, and voice, and layered with distortion and live electronic manipulations.
Bricolage, in essence, layers of references to high Modernist poetry, masterful works of contemporary solo piano, and esoteric philosophies, shift within expansive juxtapositions of harsh discordance, delicate contrapuntal melody, structured rhythmic pattern, and open, wild improvisation, to form tactile, textural whorls of episodic flux.
From deconstructing Russian composer Galina Ustvolskaya’s '6th Piano Sonata', to mangling doctrines that prize verifiable statements and ego-motivated pleasure, 'The Waste Land' articulates ideas of struggle with saturation, order, and clarity.
/////////////////long after time had ceased to be noticed… we shared what we had found and then lost/////////////////
Bricolage, in essence, layers of references to high Modernist poetry, masterful works of contemporary solo piano, and esoteric philosophies, shift within expansive juxtapositions of harsh discordance, delicate contrapuntal melody, structured rhythmic pattern, and open, wild improvisation, to form tactile, textural whorls of episodic flux.
From deconstructing Russian composer Galina Ustvolskaya’s '6th Piano Sonata', to mangling doctrines that prize verifiable statements and ego-motivated pleasure, 'The Waste Land' articulates ideas of struggle with saturation, order, and clarity.
/////////////////long after time had ceased to be noticed… we shared what we had found and then lost/////////////////
| Original language | English |
|---|---|
| Publisher | Crow Vs Crow Records |
| Media of output | Online |
| Publication status | Published - 7 Sept 2022 |
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