Abstract
During the tracking process, professional music producers will use signal processing devices to color audio material and impart unique sonic signatures. This chapter investigates how coloration and various forms of distortion are introduced to audio signals and through a series of interviews, explores how producers exploit these processes in their work. The discussion has a particular focus on the use of microphone preamplifiers, mixing consoles, compressors and other signal processing devices. Also, the chapter illuminates how decisions made during tracking can affect the overall production aesthetic.
Original language | English |
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Title of host publication | Producing Music |
Editors | Russ Hepworth-Sawyer, Jay Hodgson, Mark Marrington |
Publisher | Routledge, Taylor & Francis Group |
Pages | 209-226 |
Number of pages | 18 |
ISBN (Print) | 9780415789219, 9780415789226 |
Publication status | Published - 19 Mar 2019 |
Publication series
Name | Perspectives on Music Production |
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Publisher | Routledge |
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Dive into the research topics of 'Tracking with Processing and Coloring as You Go'. Together they form a unique fingerprint.Profiles
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Austin Moore
- Department of Media, Humanities and the Arts - Senior Lecturer
- School of Computing and Engineering
- Centre for Audio and Psychoacoustic Engineering - Member
- Centre for Research in Music and its Technologies - Member
Person: Academic