Abstract
This paper presents a mixed-music composition methodology emerging from the author's latest practice-based research in the field over the last five years. The calibration of the interactive performance systems has enabled trust in reproducible sound quality for both the composer and the performers, enhancing the portability and adaptability of the works, and permitting increasingly daring creative experiments without compromising the rehearsal and concert experiences. A set of general, transferable responsibilities and solutions are presented and assessed against clear design criteria in the author's latest pieces.
| Original language | English |
|---|---|
| Title of host publication | 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week |
| Publisher | Shanghai Conservatory of Music |
| Pages | 179-184 |
| Number of pages | 6 |
| ISBN (Electronic) | 9780984527465 |
| Publication status | Published - 2017 |
| Event | 43rd International Computer Music Conference and the 6th International Electronic Music Week: Hearing the Self - Shanghai Conservatory of Music, Shanghai, China Duration: 15 Oct 2017 → 20 Oct 2017 Conference number: 43 http://www.icmc2017.com/en/ (Link to Conference Website) |
Conference
| Conference | 43rd International Computer Music Conference and the 6th International Electronic Music Week |
|---|---|
| Abbreviated title | ICMC / EMW 2017 |
| Country/Territory | China |
| City | Shanghai |
| Period | 15/10/17 → 20/10/17 |
| Internet address |
|