Unfurling for lupophon and piano

Mary Bellamy

Unfurling for lupophon and piano

Research output: Non-textual form › Composition

Abstract

Original composition for Philip Thomas (piano) and Christopher Redgate (lupophon), duration 12' (approx), premiered at Huddersfield University Concert Series 2018-19. Recording to be released on NMC 2021.

Original language	English
Publication status	Published - 28 Mar 2019

Cite this

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title = "Unfurling for lupophon and piano",

abstract = "Original composition for Philip Thomas (piano) and Christopher Redgate (lupophon), duration 12' (approx), premiered at Huddersfield University Concert Series 2018-19. Recording to be released on NMC 2021. ",

keywords = "Composition",

author = "Mary Bellamy",

note = "First performed Thursday 28th March 2019 CD recording to be made June 2019",

year = "2019",

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language = "English",

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Y1 - 2019/3/28

N2 - Original composition for Philip Thomas (piano) and Christopher Redgate (lupophon), duration 12' (approx), premiered at Huddersfield University Concert Series 2018-19. Recording to be released on NMC 2021.

AB - Original composition for Philip Thomas (piano) and Christopher Redgate (lupophon), duration 12' (approx), premiered at Huddersfield University Concert Series 2018-19. Recording to be released on NMC 2021.

KW - Composition

UR - http://mhm.hud.ac.uk/files/LiveatHudBrochure.pdf

M3 - Composition

ER -

Unfurling for lupophon and piano

Abstract

Other files and links

Fingerprint

Dispersion: for solo oboe

Mary Bellamy: Behind the Transparent Surface review – Partch’s invented instruments return to the fray

Cite this

Unfurling for lupophon and piano

Abstract

Other files and links

Fingerprint

Research output

Dispersion: for solo oboe

Press/Media

Mary Bellamy: Behind the Transparent Surface review – Partch’s invented instruments return to the fray

Cite this