@article{7b4c327f7c294784862749c1de578aa4,
title = "Utopian Geometries: Turning Forms and the (Science) Fictions of Utopian Architecture",
abstract = "It is possible to give previous artworks by other artists a new lease of life as the prima materia for further artistic endeavour. Architects Clear + Park, based in West Yorkshire, have been doing just this with a sculpture by the renowned artist Barbara Hepworth – not by renovating or relocating it, but in an act of digital appropriation. Having 3D scanned it, they manipulated the point clouds produced, to create new forms, vectors and speculative interventions of their own originality. Nic Clear, a co-founder of the practice, explains how.",
keywords = "1951 Festival of Britain, 3D laser, Antoine Pevsner, Barbara Hepworth, Barbara Hepworth Museum and Sculpture Garden, Ben Nicholson, Circle: International Survey of Constructivist Art, Clear + Park's Utopian Geometries project, Contrapuntal Forms, Cornwall, Dziga Vertov, El Lissitzky, Fredric Jameson, Fry, Drew & Partners, Hertfordshire County Council, Iakov Chernikhov, Jane Drew, Kinetic Stone Sculpture, Leslie Martin, LiDAR, Monument for the Third International, Naum Gabo, Realistic Manifesto, Revolving Torsion, Royal Festival Hall, St Ives, St Julian's School, Thameside Restaurant, The Hepworth Wakefield, Turning Forms, Utopian Geometries project, Vladimir Tatlin, West Yorkshire, {\textquoteleft}Architectural Fantasies{\textquoteright}, {\textquoteleft}Proun{\textquoteright} works",
author = "Nic Clear",
note = "Publisher Copyright: Copyright {\textcopyright} 2023 John Wiley & Sons, Ltd.",
year = "2023",
month = sep,
day = "1",
doi = "10.1002/ad.2981",
language = "English",
volume = "93",
pages = "112--119",
journal = "Architectural Design",
issn = "0003-8504",
publisher = "Conde Nast Publications, Inc.",
number = "5",
}