Where is the Brainbody in the Stories of Curation?

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

Exhibitions about brain science are not transparent environments. They are rather dissemination practices where cultural assumptions and social relations are enacted through the brainbody as a site of and for meaning-making activity.

The brainbody is a term used in feminist and critical theory to consider how neurological bodies are entangled with social, political and cultural structures. As a critical tool for thinking about the situatedness of cognition and embodiments of the brain, this paper explores how the brainbody takes shape through differing mechanisms of curation, display and visitor engagement.

It does this through a critically discursive analysis of three specific examples of exhibition curation: Brain: The World Inside Your Head (2001), States of Mind: Tracing the Edges of Consciousness (2015-2016) and Brain Diaries: Modern Neuroscience in Action (2017).
LanguageEnglish
Title of host publicationTransimage 2018
Publication statusAccepted/In press - 18 Feb 2018
EventInternational Conference on Transdisciplinary Imaging: The Latent Image - University of Edinburgh, Edinburgh, United Kingdom
Duration: 18 Apr 201820 Apr 2018
Conference number: 5
https://transimage2018.net (Link to Conference Website)

Conference

ConferenceInternational Conference on Transdisciplinary Imaging
Abbreviated titleTransImage 2018
CountryUnited Kingdom
CityEdinburgh
Period18/04/1820/04/18
OtherA catalyst for debates about sonic images, invisible networks and relationships between intuition and intelligibility, this conference will raise quantitative and qualitative questions important to any discipline predicated on image production.
Internet address

Fingerprint

brain
cultural relations
critical theory
neurosciences
Social Relations
consciousness
cognition
science

Cite this

Bailey, R. (Accepted/In press). Where is the Brainbody in the Stories of Curation? In Transimage 2018
@inproceedings{99dc196058074aab8b58aee6e169a977,
title = "Where is the Brainbody in the Stories of Curation?",
abstract = "Exhibitions about brain science are not transparent environments. They are rather dissemination practices where cultural assumptions and social relations are enacted through the brainbody as a site of and for meaning-making activity. The brainbody is a term used in feminist and critical theory to consider how neurological bodies are entangled with social, political and cultural structures. As a critical tool for thinking about the situatedness of cognition and embodiments of the brain, this paper explores how the brainbody takes shape through differing mechanisms of curation, display and visitor engagement. It does this through a critically discursive analysis of three specific examples of exhibition curation: Brain: The World Inside Your Head (2001), States of Mind: Tracing the Edges of Consciousness (2015-2016) and Brain Diaries: Modern Neuroscience in Action (2017).",
keywords = "Brainbody, curation, mechanisms and apparatuses of meaning-making",
author = "Rowan Bailey",
year = "2018",
month = "2",
day = "18",
language = "English",
booktitle = "Transimage 2018",

}

Bailey, R 2018, Where is the Brainbody in the Stories of Curation? in Transimage 2018. International Conference on Transdisciplinary Imaging, Edinburgh, United Kingdom, 18/04/18.

Where is the Brainbody in the Stories of Curation? / Bailey, Rowan.

Transimage 2018. 2018.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

TY - GEN

T1 - Where is the Brainbody in the Stories of Curation?

AU - Bailey, Rowan

PY - 2018/2/18

Y1 - 2018/2/18

N2 - Exhibitions about brain science are not transparent environments. They are rather dissemination practices where cultural assumptions and social relations are enacted through the brainbody as a site of and for meaning-making activity. The brainbody is a term used in feminist and critical theory to consider how neurological bodies are entangled with social, political and cultural structures. As a critical tool for thinking about the situatedness of cognition and embodiments of the brain, this paper explores how the brainbody takes shape through differing mechanisms of curation, display and visitor engagement. It does this through a critically discursive analysis of three specific examples of exhibition curation: Brain: The World Inside Your Head (2001), States of Mind: Tracing the Edges of Consciousness (2015-2016) and Brain Diaries: Modern Neuroscience in Action (2017).

AB - Exhibitions about brain science are not transparent environments. They are rather dissemination practices where cultural assumptions and social relations are enacted through the brainbody as a site of and for meaning-making activity. The brainbody is a term used in feminist and critical theory to consider how neurological bodies are entangled with social, political and cultural structures. As a critical tool for thinking about the situatedness of cognition and embodiments of the brain, this paper explores how the brainbody takes shape through differing mechanisms of curation, display and visitor engagement. It does this through a critically discursive analysis of three specific examples of exhibition curation: Brain: The World Inside Your Head (2001), States of Mind: Tracing the Edges of Consciousness (2015-2016) and Brain Diaries: Modern Neuroscience in Action (2017).

KW - Brainbody

KW - curation

KW - mechanisms and apparatuses of meaning-making

UR - https://transimage2018.net/accepted-papers/

M3 - Conference contribution

BT - Transimage 2018

ER -