“‘You Get Words, You Play the Blues’: Towards a Melopoetics of Mercy Dee Walton’s ‘Have You Ever Been Out In The Country?’”

African American blues music exhibits unique harmonic and melodic characteristics, and a distinctive ‘ethos’ drawn from its originators’ experiences of the transatlantic slave trade and its aftermath. Analytical literature often overemphasizes the blues’s alterity relative to European models, prioritizing understandings that are a product of the genre’s study in primarily white educational institutions, rather than engagement with African Americans’ historic motivations for creative expression. This essay draws on African American literary criticism, musicological studies of song, and early theoretical writing on the blues to develop an analytical approach grounded in the genre’s interdependency of lyrics and music. This ‘blues melopoetics’—illustrated by an analysis of blues pianist Mercy Dee Walton’s 1961 recording ‘Have You Ever Been Out in the Country?’—encourages greater attention to the relationship between historical context, meaning, and musical practice, and responds to recent defences of musical analysis that prioritize musical autonomy over creators’ lived experiences.