Abstract
In Chapter 10, Katherine Williams consider female songwriters, focusing upon singer-songwriters who write and perform their own material, as opposed to songwriters who compose material for other artists. Concentrating upon four case studies, Williams interrogates the music of Carole King, Joni Mitchell, Kate Bush, and Adele.
| Original language | English |
|---|---|
| Title of host publication | The Cambridge Companion to Women in Music Since 1900 |
| Editors | Laura Hamer |
| Place of Publication | Cambridge |
| Publisher | Cambridge University Press |
| Chapter | 10 |
| Pages | 145 - 162 |
| Number of pages | 18 |
| ISBN (Electronic) | 9781108556491 |
| ISBN (Print) | 9781108455787, 9781108470285 |
| DOIs | |
| Publication status | Published - 17 Apr 2021 |
| Externally published | Yes |
Publication series
| Name | Cambridge Companions to Music |
|---|---|
| Publisher | Cambridge University Press |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
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