This thesis will contribute to the innovative and exciting field of literature and criminology by addressing the intricate interplay between early modern drama and criminologist discourse with a particular focus on labelling theory and interactionism. The convergence of these two seemingly separate realms can show how early modern theatre was an arena for vibrant proto-criminologist discussions. The early modern period witnessed a wave of drama on crime that both entertained its audience and reflected and shaped societal perceptions of crime, justice and rehabilitation. By scrutinising the dramaturgical analogies inherent in labelling theory and interactionism, this study aims to reveal how early modern drama can function as a critical tool for challenging and deconstructing negative labels associated with deviant behaviour. Early Modern drama allowed labelling theory to come to life through the tales of complex characters who were trying to navigate social exclusion and stigma, while the rich and nuanced exploration of human interactions through symbolic communication and performative identity on the stage set the perfect scene for an interactionist approach to crime and justice. Delving into a variety of forms of drama, this essay argues that the stage provided a unique space to question the legitimacy of labels, encouraging a better understanding of criminal acts which were divorced from enduring identities. In light of contemporary challenges related to social stigma and criminal justice, this investigation offers an insight into how early modern drama can inform and reshape perspectives on crime, justice, and labelling in our present societal context while also providing a new and exciting way of reading much-loved drama from this era.
| Date of Award | 25 Sep 2024 |
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| Original language | English |
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| Supervisor | Merrick Burrow (Main Supervisor) |
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